My name is Joe Gilder. I’m a recording engineer in Nashville, Tennessee. I run the popular recording website HomeStudioCorner.com, where I help thousands of people like you make better recordings in their home studios.
Do any of these describe you?
If so, then keep reading…
Wait, what? Okay, bear with me.
If you’re still reading this, then you’re obviously interested in recording. It’s safe to assume that you love music, and that you want to make great-sounding recordings. But you get frustrated, right?
You listen to your favorite band on your iPod, and the mixes sound so huge and epic. Then you listen to your latest mix, and it sounds dull and lifeless. It’s unnerving, right? It can drive you crazy, or worse.
If you get frustrated enough, you might just give up on recording altogether, sell your studio gear and buy a boat. I don’t want you to buy a boat.
What I mean is…I don’t want you to give into the frustation and quit.
Now more than ever, it’s possible to get amazing recordings out of a home studio. The technology is remarkable, and affordable. There has never been a better time to be passionate about recording.
But still…your mixes don’t make you all that excited.
Have you ever bought a piece of gear (or software) and thought to yourself, “Yes…THIS is it. THIS will make my mixes sound amazing.” Exactly how many times has that actually been the truth? I know, I’ve been there. It’s a deadly cycle…always wanting that “one more thing” that will take your recordings to the next level.
Here’s what I think. You currently…right now…have all the gear you need to make great-sounding recordings. So what gives? You simply need to learn how to use that gear effectively.
I’ve used really expensive gear and gotten crappy mixes. I’ve used really cheap gear and gotten great-sounding recordings. What was the deciding factor?
One word…ME.
I could buy a top-of-the-line, $30,000 violin, and it would sound like garbage when I played it. Why? Because I never learned how to play violin. So before you invest another dollar in another piece of gear, perhaps you should invest in yourself instead?
That’s where the Production Club comes in.
The production club is an all-inclusive, in-depth online training course, where you will walk with me through the entire recording process. I will record an entire song from start to finish. From song idea to finished, mastered recording, ready to be sold (or shared with your mom).
Did you know that there are only 5 steps to recording a song? We’ll cover all of these in-depth inside the Club.
This is the planning phase, the phase most people skip out on. They just jump right into recording guitars and drums and glockenspiel. Slow down there, cowboy. If you don’t do some basic planning, you’ll potentially waste HOURS recording the song the wrong way.
As a ProdClub member, I’ll show you exactly how I go through the pre-production process. It’s really a lot of fun, possibly one of the most fun parts of the entire process. And if you do it right, you end up having more fun during the next 4 steps.
Topics Covered: Tempo, Arrangement, Chord Structure, Feel, Instrumentation, Scratch Tracks, and more.
Obviously, recording is an important part of the process. Whether you’re recording a full band, MIDI-only, or an acoustic EP, I’ll show you how I go about recording all sorts of instruments. You’ll see why it’s so important to get it right at the source, and I’ll show you exactly how I do that. No guessing, no hoping, just making sure it sounds great from the get-go.
Instruments we’ll record: Drums, Bass, Acoustic Guitar, Electric Guitar, Vocals, Percussion, MIDI, possibly piano and even a choir (we’ll see how things turn out), and maybe some stomping in my living room…who knows?
Once all those pretty tracks are recorded, you need to make sure they’re sounding tight together and are READY to be mixed. This includes comping together multiple takes, editing timing mistakes, tightening up performances, and even possible doing some tuning. It’s a more technical part of the process, but it really separates the so-so mixes from the fantastic, polished mixes. Trust me on that.
Topics covered: comping, pocketing, tuning, generally cleaning up the tracks, session file management, and more…
If you did your job in steps 1-3, mixing will be all about you enhancing the already-great-sounding tracks, not “fixing” a bunch of things. I’ll take you through my process for mixing a song, starting with getting a great-sounding static mix in mono before ever reaching for a pan knob or a plugin. Yep, that’s right.
We’ll dive DEEP into using EQ to carve out space in the mix for each instrument. We’ll look at how to use compression to add punch to the mix. We’ll look at all sorts of effects and how to use them to enhance the mix without muddying thing up. We’ll learn how to deal with the low end in the mix, making it punchy without being boomy and muddy. I could go on…and on…and on…
This will be the most in-depth mixing tutorial I’ve ever done, I can tell you that much.
Topics covered: EQ, compression, reverb, delay, distortion, bus compression, routing, bussing, signal flow, level balance, panning, parallel processing, gates, expanders, etc. etc…the list goes on for days.
Once you’ve got that earth-shattering mix, you need to master it. Mastering is essentially preparing it to be heard by the world. It involves gain, multi-band compression, and limiting, among many other things.
I normally recommend having someone else master your mixes, so you get a fresh set of ears putting the final touches on your mix, but if you plan to do any mastering on your own, I’ll show you how I do it (and I get surprisingly good results).
Mastering can be a big mystery for a lot of people. I’ll de-bunk a lot of myths and clear a lot of things up for you.
Topics covered: gain-staging, clipping, EQ, multi-band compression, limiting, monitoring, etc.
So I’ve told you the major topics we’re going to cover, how will it all be delivered? You’ll access everything through a private members-only website. Here are the details:
When I released my latest album Out of Indiana, I had a special package that included videos showing how I produced each song on the album. It sold for $50. It’s yours free as soon as you sign up for the Production Club!
I’ve put out a lot of tutorial videos and training courses, and I’ve gotten feedback from hundreds of customers telling me how much they appreciate how clearly and effectively I teach this stuff.
With this brand new Production Club material, I’m taking it up a notch. This is quite possibly the only training you need to start getting better recordings out of your home studio.
Rather than spending another $500 on a new microphone, preamp, or piece of software, invest that money in yourself. Join the Production Club, apply what you learn, and your recordings will get better. If this training isn’t immensely helpful, I’ll refund the full amount, and you can take that money and go buy that new preamp.
Sound like a deal? You’ve got nothing to lose.
The class begins on Thursday, November 17.
The cost is $497 (save $85), or you can make 6 monthly payments of $97.
I want you to be happy with your membership. If you’re not getting a ridiculous amount of value out of the Club, let me know, and I’ll happily refund your money.
Do I have to be a Pro Tools User? Absolutely not. I will be using Pro Tools as a part of the course, but the concepts I teach can be easily applied to any recording software. In fact, many of the former Production Club members used everything from Sonar to Logic to Cubase to GarageBand.
What if I get behind? There’s no way to get behind. I’ll send you the new material each week, but you can work through it at your own pace.
What if I miss a live webinar? I try to schedule the webinars so that most people can participate, but if you miss one, you’ll be able to download the audio recording of the session to listen to at your own convenience. Also, you can submit questions to me before the session, and I’ll cover them on the call.
What are previous Production Club members saying? I’ve gotten a LOT of great feedback from all the people who have gone through the Production Club. If you’d like to hear from them directly, listen to the following audio clip, and let them tell you themselves.
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